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Carry on Casanova
CASANOVA
King's Head Theatre
IT’S a wonder the Carry On team never turned their attention to the true tale of the notorious Casanova.
Not only does it have great alliterative potential, but the exploits of the 18th-century philanderer are ripe for such treatment. Inspired by Casanova’s memoirs, this musical comedy leaves no double entendre – and no girl – unexploited.
Narrating us through a grand tour of his life, Anthony Flaum’s engaging Casanova introduces his many acquaintances, stopping off for more than one “double measure of carnal pleasure” along the way.
The fleeting nature of his encounters leads to fairly minimal characterisation, but a bunch of colourful caricatures prove entertaining nonetheless. From Shai Matheson’s frisky, frolicking Frenchman, De Bernis, to Stuart Simons’ secretly sinful Cardinal, the young cast can’t resist camping it up, including Flaum himself, who delivers many a line with a saucily arched eyebrow.
With more than 30 roles played by just 11 actors, confusion is minimised through the use of comic accents and somewhat overdone affectations. However, supposedly tender moments, such as the romantic sentiments expressed by Casanova and his true love, Henriette, are rushed and unconvincing.
Sharply staged with some snappy choreography, the sparkling young ensemble deliver some strong vocals too; Anthony Flaum clearly annunciates Philip Godfrey’s wittily risqué lyrics and displays a rich tone when showcasing the infectiously upbeat melodies, even if the tunes are sometimes as predictable as the jokes.
At times verging on panto, some of the shrieky romps could afford to be cut, and, like many an ageing lothario, it goes on too long, but I couldn’t help but be seduced by Casanova’s charms.
Until March 8
020 7226 1916 |
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