|
|
 |
| |
Religion and racism in mystical Brixton play
THE CHRIST OF COLDHARBOUR
Soho Theatre
FRESH out of prison after having been convicted of impersonating the prime minister, Omotunde (Jimmy Akingbola) believes he is the spirit child of his adoptive Nigerian parents.
Placed in the ranks of The Mission on the basis that he abandon the traditions with which he was brought up, Omotunde is housed in Brixton, where preachers are as common as cynics.
By using his characters to examine the thwarting of ambition and indoctrinated self-hatred in the deprived community of Brixton, playwright Oladipo Agboluaje shares his observations of institutionalised racism and exposes the tactics used by the Church to sell Christianity.
Robbie, superbly portrayed by Mark Monero, a streetwise down-and- out who claims to have evidence of a corporate plot to “sterilise the Melanites” makes Omo aware of the “wilful peace” imposed by the rich to lull the population into complacency.
Dona Croll is astonishing as Maria Maudlin, the pole-dancing prostitute who serves as Omo’s inspiration, lover and straight-talking mother goddess.
Steeped in symbolism, painted shutters that resemble stained-glass windows depict the colonisation of Africa, while between scenes, songs mourn the loss of unity.
Performed by a strong cast, in particular the stunning Javone Prince (who plays three characters), the script, when it is not rambling, is outstanding and often hilarious.
There are points, however, when the actors seem to lack direction – especially when the plot becomes unbelievable
Despite this, the message to “become acknowledged legislators of your destinies” is passionately delivered.
Until June 23
0870 429 6883 |
 |
|
| |
Check Prices, Availability & Book Online
Receive Online Discounts and Instant Confirmation |
|
|
|
