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The Review - THEATRE By TOM FOOT
 
Bennett's wit sparkles as ever on 'English' theme


THE OLD COUNTRY
Trafalgar Studios

THERE was a buzz about the audience waiting to see Alan Bennett’s The Old Country that you find with few other playwrights. Rarely has a playwright been so adored, not least for his guarantee to reduce its spectators to fits of laughter.
This one had me: “If there was an alcoholic called Johnnie Walker,” writes Bennett, “could he start an association called alcoholics eponymous? Find two of them with the same name, and you could call it alcoholics synonymous.”
With the sheer quality of his prose and the brilliance of his jokes, Alan Bennett has become a national treasure. West End productions – most recently the Olivier-award-winning History Boys – are now unmissable. Bennett’s “very English” plays are the FA Cup finals of the theatrical calendar.
Somewhat ironic then that this ambiguous tag of Englishness has rankled with the playwright and is the subject of his play. In An Englishman Abroad, which preceded The Old Country, Guy Burgess said: “I can say I love London. I can say I love England. I can’t say I love my country, because I don’t know what that means.”
In the Old Country, the irrelevant and forgotten Hilary (Timothy West) – cast out by his country for espionage – is this contradiction personified. He is both a Soviet spy and a romantic Englishman. He reads The Times, listens to Elgar, browses his first editions – summoning passages of Proust, EM Forster, but not Dickens – and lamenting the decline of tearooms.
Jean Marsh played the knowing, unforgiving wife, Bron.
The entire play takes place on the veranda in their Russian hideaway. They dread the arrival of Bron’s sister Veronica (Susan Tracy) and her successful husband, Duff (Simon Williams), from “the old country” England. I was expecting the tried-and-tested upper-class city twits descend on foreign paradise scenario. With his bright red socks, lunatic laugh and smug confidence, Duff did not disappoint. But at times the intelligence of Bennett’s dialogue outshone the talents of this notable and distinguished English Touring Theatre cast.
Until May 6
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